A Call to Conversation (3)--:devrestlesssands:

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Welcome to the third article focusing on featuring and getting to know the deviants behind the work! This series will be posted every Wednesday. If you have a deviant you'd like to see included, please send betwixtthepages a note with the subject "Call to Conversation"--make sure to include the deviant's name as well as a reason you think they'd make a good interview subject! Also, feel free to send along a question or two you'd like to have answered by them!

This week's featured deviant is RestlessSands.

Looking at her profile page, you may find yourself wanting to know more about her. What things does she love? Hate? Feel inspired by? A brief glance at her gallery will give you a little insight into her personality as an artist--the folders are filled with beautiful emotive photography and poetry that will leave you gasping. But who IS RestlessSands, beneath the surface? Hopefully this interview will cut through some of the mystery--though let's be honest, mystery, in this day, is everything to an artist and poet.

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So, first and foremost, I have to ask--where did the idea for your user name come from? It's lovely!

When it came to naming myself, I thought, I’m restless. Then I thought about restless things, and I didn’t want to be a caffeinated water bear (they’re microscopic).


Also, the so many ‘Sss’s’ kind of looked and sounded to me like sand when it’s being pressed about.

You have so many folders in your gallery! But why are there spaces in the one-word title folders?

To create a pause. It’s more fun to say a word you’ve said before if you add an odd pause. It’s a close-second to slipping into an accent.

(For good reason, I usually keep these things to myself)

you've been gone findingyou come back hailing smoke
and raining moss, hair unwilling
and a little crazed -
you are rifling through all the impossible questions
making philosophy professors chairs creak -
i can almost hear the pages
slither past.
you've been gone finding
         yourself.
all the
chalk-tongued chatterers
telling us This is how the world works
are laying thick
and clock sure -
         you swipe at this wildly
you are saying
with the life in your eyes,
study,
study with me:
         the raining copper tongues
         and frogs croaking bulbous
         the furl of bark when it is stripped
you are asking
         with your heavy wet sleeves
         stitched in water-rust
for u
switchboard operator by RestlessSands turning over bucketsperhaps it isn't beautiful,
lying halfway underwater;
pouring your palladium hopes
down your hands
into buckets
looking full of shale and broken glass
        half lighting whiskey-paper on fire
with that sun tossing in your chest
and all of you rattling
in this thin-skinned pineapple percussion,
        the things you're so very sure of, sweltering under
callouses, under sea-
        a kaleidoscopic mass of stinging cider-riviera
        twisting into your human frame;
but when i say something of protests
you break in,
        with too many pinecones waking in your chest, saying,
how lucky how
lucky we are
to be alive to be
living


Your gallery is filled with poetry and photography--do the two go hand-in-hand, do you think? Are they more like coffee and cream, or pickles and peanut butter?

Pickles and peanut butter! Have to try that!

My first reaction to this question was no, they don’t go together, one just happens by accident. That was photography, because they all happen to be lucky snapshots in a moment I wanted to remember, but then I realized that yes, photography and poetry to me are expressions of the same thing.

I grew fed up with memory some time ago. I felt like it betrayed all the living we do by forgetting most of it. I found writing a wonderful thing. You could capture a scene or a hand or a smile or a banana fish, and it was there every time you returned to it. Photography does this through sight.

And I like sharing beautiful things.


How long have you been writing poetry?

I believe it started somewhere in high school-land.

Have you ever written prose?

Yes. It’s where I started. I attacked poetry, because it didn’t come naturally at first, and then I came to love it. Poetry teaches you the importance of words.

Okay, to get serious--you have a lovely knack for emotive photographs. Is there any advice you'd give a budding photographer, if you could?

Yes.

Get out there you couch worm!

Kidding. Partly. You can either be the type of photographer that captures a moment (to which you must go out and experience it in order to take it), or the type that makes a moment (props, concepts, reflectors). Or a little of both. The California beach hippie in me will drooling-gobstopper appreciate the second, but will probably always practice the first.

Also, keep in mind, you couch worm, that photography is all about light. <–That’s actually a tip. Keep an eye on light. You might be surprised into taking a photo.

bluehere, out of the flightless ink of fish,
the coals are moonlit-blue, and pierced
by little bodies -
       turtles -
little bodies made for brawling
in the great apricot cold -
bumpy heads and peanut shells
and silence dismantled
wherever they shift
through the sandy
dark -
every fin is a petition
for water, a body of water
to bury into
:thumb150343687: let's gosusurrous, the whispers you form
when you become citrus and star
shaped, ladling
those lightyear sheep, fishing for
words that bob and slip
before they sink
in;
   we are, we are
free
you remind me
that we are, we are;
      hawkish and sun-scorched,
diced and divided, pilgrims scurrying through
cement-swollen grocery stores with salmon-bone
shelves plying meat, boxed fruit and rectangle
cheeses and lines built to breathe all the same
way -
   but we are, we
are free, you
remind me
     of cinder-sky puddles and deserts
where the very stones are pilgrims,
the hand raised to fend off lemon light
and so makes a web -
the rope burn in your eyes
does shine so -
so tomorrow, no,
tonight, let's,
let's go

What kinds of music do you listen to?

ONLY, Flight of the Conchords, ‘Albi the Racist Dragon’ -- www.youtube.com/watch?v=hLltYj…

Kidding. Oh man. I’ll just list some off. Patrick Watson, Arcade Fire, Paolo Nutini, Beirut, MGMT, Modest Mouse, Muse, Erik Satie, Debussy, Pink Floyd, Bon Iver... There’s really too many. Sometimes pure rock & roll, or just folk and instrumentals. Sometimes I can’t stand anything but jazz, or anything but techno. It’s a crazy world.

What are some of the things you like most about dA? Things you dislike?

I like most the complete strangers I’ve encountered. Since logging on the first time, I’ve had this image of an immense room of shifting glass elevators, with people and their art in them, and sometimes one of them really catches your eye.

You become mimic-hearts and happy-faces friends without ever shaking hands, and you grow to earnestly like this person you’ve never really met. Only distance, and what’s on display, and some show of understanding each other as two expressing humans do.

I’m pretty sure my elevator would have permanent hand-prints all over, pressed about a face apart.

I dislike... That I can’t buy a book of prose or poetry from a deviant. I would like these people on my shelves.

If you could change one thing, without breaking anything else, about dA (the community interactions, a feature, anything!) what would it be and why?

What I just said, Up There. You can buy prints, but when I really value a word-talent, I have to go outside the site to obtain hard-copies. I don’t want to be able to always hit delete on a compilation of words so worthy of surviving a power outage.

What, in your opinion, is the best advice you've ever been given (in real life or online)?

‘It’s what it feels like.’ - when it comes to writing

Have there been any deviants, in your time on dA, that inspired or pushed you?

Inspired? Constantly!

Three of my oldest and constantly renewed-in-faith favorites, for poetry:
:iconanthony-ryan: :iconriparii: :iconpoetrymann:

:iconkaitforest: I’ve loved recently.

I wish :iconvuzel: would be commissioned to illustrate a film with her odd wonderfuls.

Every once in a while I return to :iconfriedpickles: for her people prose.

:iconpursuingthecerberus: is bravely pursuing the world of publishing works. Go to him, collect his work.

How about published authors or poets? Who are your favorites, and why?

Recently, Walking To Martha’s Vineyard, by Franz Wright, is a favorite. Something low-down sad and starkly beautiful about his work.

I enjoyed reading Stuart Dybek’s work on Chicago. One of Mark Twain’s last works, short story, ‘The Mysterious Stranger’, made me reconsider humanity for a long time.

Milan Kundera writes unlike anyone else I know.

...I’m always a sucker for the first books I stocked my personal library with, like Dune, Fahrenheit 451, or Hitchhikers Guide to the Galaxy. I always have a good opinion of people when I see they have these. It’s the science fiction-fascinated, skin-kneed child in me.

Anything else you want to share with us?

If we were friends, I’d like you.

-----

I really enjoyed interviewing RestlessSands, and want to take a moment to thank her for agreeing to participate in the article!

Question for our readers: Have you ever considered the mass of deviants and artwork in a unique way, like RestlessSands does? I really love the glass elevators idea.

Thank you for reading, guys! Feel free to comment, but please be respectful! Also, if you enjoyed this article, please :+fav: it!
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