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I said in a recent journal that I would browse through our galleries and pick some works that appealed to me. I realised, after starting that process, that there are so many appealing works that my choices would necessarily end up as the subject of a number of journals. I decided that this series of journals should highlight six images from each gallery, making a journal for each gallery, and hopefully I could try to explain what it was about each selection that made ME stop and say 'this one'.
This time, it is the turn of the 'Animals' gallery - photomanip--club.deviantart.co…
After looking at my choices, if you visit the gallery and think there are others you like more, or as much, please feel free to respond with a link or thumbnail.
If you own these works and do not want them featured here, let me know by note and I will edit the journal to remove them and replace them with other choices.
No Mans Land - tndrhrtd37
I like the composition and light for this work. Whether conciously or unconciously, this conforms to the compositional 'rule of thirds' very nicely and feels well balanced to me. I love the color of the light. I don't know if it is a simple layer of color or it has been painted in Photoshop, and the work in Corel Painter is subtle. It almost looks like an old hand-colored postcard with those rich saturated and hand-applied colors (like those old Photochrom postcards - fav.me/d6m7wgw )
NB: These links discuss the 'rule of thirds' ...which is not really a 'rule' -
en.wikipedia.org/wiki/Rule_of_… digital-photography-school.com… photoinf.com/General/KODAK/gui…
Africa - Nikulina-Helena
Another work that follows the compositional 'rule of thirds' and has beautiful light. The use of the circular frame to hold one's eyes in the center of the image works very well here. The soft pastel colors make it feel like an early morning or evening scene and the depth of field is convincing.
Romeo and Juliet - Rafido
I like this because it is whimsical and slightly surreal. Once again the color palette caught my eye and the tipping of the horizon adds a dynamic feel to the work, The underwater part of this work is nice (I have an affinity to works that use water partitions, it is harder to get right than it looks) and the distant ship near the misty, foggy, blurry horizon anchors the era quite well. I also like the use of text in manips. There is a futility about the situation that makes the naming of the work particularly relevant. (This piece earned a well deserved DD April 2013.)
Swan - Hioderro
This swan is a beautiful piece of stock which is placed into a dreamlike and misty dawnscape. What's not to like about it? The depth of field is wonderful, and again the compositional rule of thirds is apparent here, which, along with the light gives it a well-balanced look.
Broken Hearted - Cosmic-Cherry-Tree
The sky in this caught my eye and felt very familiar. I finally realised I had used it myself in a very early manipulation. I like the concept of this, it is very poignant, but I keep looking into the distance to see if I can see the object of this forlorn chimp's affection. Even though that second figure is not there, the concept is good and the chimp's pose very resigned.
The guardian - evenliu
The color palette was the reason I stopped to look more closely at this. The challenging lighting is well handled and it is another good choice of stock. Again I like the misty horizon. I see it so often like that in the early morning around where I live.
Please note that I am not saying these are the best in the gallery (art is so subjective), but they are works that caught my eye, and that is something we all strive for, to catch someone's eye so we can share our vision with others. Again, if you see other works in that gallery that you like, feel free to comment, adding a link or thumbnail so we can visit the work and take a closer look.
This time, it is the turn of the 'Animals' gallery - photomanip--club.deviantart.co…
After looking at my choices, if you visit the gallery and think there are others you like more, or as much, please feel free to respond with a link or thumbnail.
If you own these works and do not want them featured here, let me know by note and I will edit the journal to remove them and replace them with other choices.
No Mans Land - tndrhrtd37
I like the composition and light for this work. Whether conciously or unconciously, this conforms to the compositional 'rule of thirds' very nicely and feels well balanced to me. I love the color of the light. I don't know if it is a simple layer of color or it has been painted in Photoshop, and the work in Corel Painter is subtle. It almost looks like an old hand-colored postcard with those rich saturated and hand-applied colors (like those old Photochrom postcards - fav.me/d6m7wgw )
NB: These links discuss the 'rule of thirds' ...which is not really a 'rule' -
en.wikipedia.org/wiki/Rule_of_… digital-photography-school.com… photoinf.com/General/KODAK/gui…
Africa - Nikulina-Helena
Another work that follows the compositional 'rule of thirds' and has beautiful light. The use of the circular frame to hold one's eyes in the center of the image works very well here. The soft pastel colors make it feel like an early morning or evening scene and the depth of field is convincing.
Romeo and Juliet - Rafido
I like this because it is whimsical and slightly surreal. Once again the color palette caught my eye and the tipping of the horizon adds a dynamic feel to the work, The underwater part of this work is nice (I have an affinity to works that use water partitions, it is harder to get right than it looks) and the distant ship near the misty, foggy, blurry horizon anchors the era quite well. I also like the use of text in manips. There is a futility about the situation that makes the naming of the work particularly relevant. (This piece earned a well deserved DD April 2013.)
Swan - Hioderro
This swan is a beautiful piece of stock which is placed into a dreamlike and misty dawnscape. What's not to like about it? The depth of field is wonderful, and again the compositional rule of thirds is apparent here, which, along with the light gives it a well-balanced look.
Broken Hearted - Cosmic-Cherry-Tree
The sky in this caught my eye and felt very familiar. I finally realised I had used it myself in a very early manipulation. I like the concept of this, it is very poignant, but I keep looking into the distance to see if I can see the object of this forlorn chimp's affection. Even though that second figure is not there, the concept is good and the chimp's pose very resigned.
The guardian - evenliu
The color palette was the reason I stopped to look more closely at this. The challenging lighting is well handled and it is another good choice of stock. Again I like the misty horizon. I see it so often like that in the early morning around where I live.
Please note that I am not saying these are the best in the gallery (art is so subjective), but they are works that caught my eye, and that is something we all strive for, to catch someone's eye so we can share our vision with others. Again, if you see other works in that gallery that you like, feel free to comment, adding a link or thumbnail so we can visit the work and take a closer look.
Change to submissions limits
Hello, we have only two active admin right now and both are going to be a little pre-occupied in the next month or so. For this reason we have changed the submission limit to one per month until the situation improves in some fashion.
I apologise, but we will try to get back to normal operation as soon as we can.
We need more helping hands
It seems like a lot of dA groups are looking for new admins and contributer lately and unfortunately we need your manpower as well.
We need two new admins (co-founder) to accept new contributions and member - you see the task is that easy and our requirements are pretty low. You need to have basic knowledge of photomanipulations, proper english language skills and you should've time to watch the group at least every second day. If you are confident enough feel free to apply to this break-through job in you deviantart-career. Just write a note to me in personal http://patrickrichter.deviantart.com/ and leave a few lines with some basic inform
NOTICE: about Getty Images
Just a quick note because one of the larger Digital Art groups has recently suggested that Getty Images is a suitable source for stock.
It is not. Their licence explicitly excludes any modifications apart from cropping to fit a space. Cutting parts of the image out to reuse in your works is not licenced. This is the same licence used by every stock site in the Getty stable.
In this group I will continue to reject any work that contains images from that source unless there is written permission from the actual copyright holder that overrides the Getty Images licence. Getty Images do not hold copyright over photographs on their site/s.
Tha
Plain English copyright information
Hello Photomanip--Club members.
:bulletblack: A note about rejection. If I reject a submission you have made, it is generally because I don't believe you have provided adequate accreditation, or you have not complied with the explicit rules of one of your stock providers. If, in a stock accounts rules of stock use, there is a clause that says -
'you must always credit me in the artist notes by putting either - :dev username: or ::icon username: '
...then I expect that you do what that stock provider asks for. I don't write their rules but I will expect that users agree to them before using their stock.
I have written a journal which, hop
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Very beautiful collection !